Amy Heckerling
Biography
Amy Heckerling (born May 7, 1954) is an American film director. An alumna of both New York University and the American Film Institute, she directed the commercially successful films Fast Times at Ridgemont High, National Lampoon's European Vacation, Look Who's Talking, and Clueless.
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Known For
Film
Clueless
Maid of Honor (uncredited)
1995
TV
E! True Hollywood Story
1996
TV
What Happened, Brittany Murphy?
Self
2021
Film
Skin: A History of Nudity in the Movies
Self
2020
Film
Into the Night
Ships Waitress
1985
Film
Time Warp Vol. 1: Midnight Madness
Self
2020
Film
Fast Times at Ridgemont High: A Virtual Table Read
Self
2020
Film
SEGAL
Self
2025
Film
Frank Capra's American Dream
Self
1997
Film
The Dream is Always the Same: The Story of Risky Business
Self
2008
Film
The 4%: Film's Gender Problem
Self
2016
Film
Reliving Our Fast Times at Ridgemont High
1999
Film
Time Warp Vol. 3: Comedy and Camp
Self
2020
Film
Sincerely Yours
Self
2008
Film
Mardik: From Baghdad to Hollywood
Self
2008
Film
Not Your Time
Herself
2010
Film
Celebrating Sixteen Candles
Herself
2008
Film
Directors on Directing (Part 1)
Film
If These Knishes Could Talk: The Story of the NY Accent
Self
2013
Filmography
2025FilmSEGALas Self2021TVWhat Happened, Brittany Murphy?as Self2020FilmFast Times at Ridgemont High: A Virtual Table Readas Self2020FilmSkin: A History of Nudity in the Moviesas Self2020FilmTime Warp Vol. 3: Comedy and Campas Self2020FilmTime Warp Vol. 1: Midnight Madnessas Self2016FilmThe 4%: Film's Gender Problemas Self2013FilmIf These Knishes Could Talk: The Story of the NY Accentas Self2010FilmNot Your Timeas Herself2008FilmThe Dream is Always the Same: The Story of Risky Businessas Self2008FilmCelebrating Sixteen Candlesas Herself2008FilmSincerely Yoursas Self2008FilmMardik: From Baghdad to Hollywoodas Self1999FilmReliving Our Fast Times at Ridgemont High1997FilmFrank Capra's American Dreamas Self1996TVE! True Hollywood Story1995FilmCluelessas Maid of Honor (uncredited)1985FilmInto the Nightas Ships Waitress—FilmDirectors on Directing (Part 1)