Martin Sheen

Marlon Brando

Frederic Forrest

Albert Hall

Laurence Fishburne

Sam Bottoms

Robert Duvall

G.D. Spradlin

Harrison Ford

Jerry Ziesmer

Scott Glenn

Kerry Rossall

James Keane

Tom Mason

Cynthia Wood

Dennis Hopper

Colleen Camp

Linda Carpenter

Aurore Clément

Jack Thibeau

Glenn Walken

Damien Leake

Marc Coppola

Bill Graham

Herb Rice

Jerry Ross

Charles Robinson

Nick Nicholson

Don Gordon Bell

R. Lee Ermey

Jim Gaines

Vittorio Storaro

Evan A. Lottman

Francis Ford Coppola

Henry Strzalkowski

William Upton

George Cantero

Joe Estevez

Bo Byers

Christian Marquand

Michel Pitton

David Olivier

Chrystel Le Pelletier

Roman Coppola

Gian-Carlo Coppola

Robert Julian

Yvon LeSeaux

Daniel Kiewit

Hattie James

Gerald B. Greenberg

Vic Ramos

George R. Nelson

Terry Liebling

Jack H. Young

Lisa Fruchtman

Fred C. Blau Jr.

Walter Murch

Angelo P. Graham

Leon Chooluck

Dean Tavoularis

Carmine Coppola

Barrie M. Osborne

Jeff Scheftel

Terry Leonard

Efren Lapid

Joe Lombardi

Jay Miracle

James J. Murakami

Josh Weiner

Melissa Mathison

Piero Servo

Zakir Hussain

Richard Beggs

Leslie Hodgson

Mark Berger

Nathan Boxer

Larry Holt

Wayne Fitzgerald

Mickey Hart

Tom Sternberg

Fred Roos

Mona Skager

John Ashley

John Milius

Gray Frederickson

Eddie Romero

Jack English

Mauro Marchetti

Richard Marks

Dennis Jakob

Jack Fritz

David Rubinson

Larry Franco

John LaSalandra

John Calvert

Tony Brandt

Jordan Amarantha

Greg Errico

Bill Kreutzmann

Phil Lesh

Jim Loveless

Flora Purim

Luigi Barnardini

Rogilio De La Rama

Giuseppe Alberti

Stephen H. Burum

Caleb Deschanel

Hiro Narita

Chas Gerretsen

David Wynn-Jones

Dick White

J. David Jones

David L. Butler

David B. Nowell

Dale Strumpell

Thomas Scott

Barry Malkin

George Berndt

Michael Jacobi

Tracey Smith

Stephen Semel

Richard Candib

Michael Kirchberger

Ken Fischer

Jay Boekelheide

Arthur Coburn

Richard P. Cirincione

Les Wiggins

Pat Jackson

Stan Witt

Leslie Shatz

John Nutt

Jim Borgardt

Joanne D'Antonio

Tim Holland

Nina Wax

Drama

Apocalypse Now

American Zoetrope

United States of America

Did I miss something!? This was rated one of the best sci-fi movies of all time. I'm a sci-fi fantasy guy but this movie was boring, sorry. I can watch a movie with low budget effects, I even prefer the original "Alien" movie to the latest CGI ones now because they rely more on the story rather than the special effects. But this movie, maybe they just relied too much on the actors.

Yeah Rocketeer Raccoon just straight wildin, certified 0 ball knowledge peanutbrain.

Amazing movie of course, maybe the best I've seen.

CinemaSerf

This is, I think, the definitive Vietnam war movie. Martin Sheen is "Capt. Willard", a war weary veteran who is sent on a top secret mission to track down and stop the rogue Colonel 'Kurtz" (Marlon Brando) who is operating independently from Cambodia. With only a small crew of rookie squaddies, he sets off along the treacherous Nung River where, along the way, they alight on "Kilgore" (Robert Duvall) and face all sorts of dangers against both man and nature as they seek their quarry. The sheer intensity of the journey, and of the challenges it throws up cause "Willard" to re-evaluate his whole perspective, and not just on the war, as the horrors of this conflict manifest before him. It's a stunningly strong depiction of war; the humanity and vulnerability of the characters - even those who are outwardly strong - and the casting is inspired. It's bloody and gory at times, but never gratuitously and the closely shorn Brando is in a class of his own as the megalomaniac "Kurtz". Though fictional in fact, it doesn't pull it's punches and leaves us all with a bitter taste in our mouth and some seriously thought-provoking questions.

It wasn't just insanity and murder, there was enough of that to go around for everyone.

Apocalypse Now is directed by Francis Ford Coppola who also co-adapts the screenplay with John Milius from Heart of Darkness written by Joseph Conrad. It stars Martin Sheen, Marlon Brando, Robert Duvall, Laurence Fishburne, Dennis Hopper, Harrison Ford, Frederic Forrest, Sam Bottoms and Albert Hall. Cinematography is by Vittorio Storaro and the music is primarily arranged by Carmine Coppola.

The Vietnam War and Captain Benjamin L. Willard (Sheen) is approached by American intelligence to go on a secret assignment: he's to follow the Nung River into the remote Cambodian jungle to find and assassinate Colonel Walter E. Kurtz (Marlon Brando), a member of the US Army Special Forces who has gone insane.

One of the most talked and written about films of all time, Apocalypse Now remains to this day a harrowing and haunting experience to first time viewers. With a production shoot that has in itself become legendary, Coppola's flawed masterpiece has been dissected and argued over to within an inch of its magnificent life. People will continue to write about it for ever more it seems, perhaps there might even be the odd new confrontational spin on what resides within? But ultimately it's what the individual takes away from the film that matters, our own interpretations key to the enjoyment of such a disturbing vision of war and violence.

Many of the set-pieces, dialogue and characters have long since passed into folklore, and rightly so. The Ride of the Valkyries helicopter assault, Kurtz's surreal death camp, the boat people massacre, purple haze, the playmates, Kilgore, and of course the horror, the horror..indeed. The performances match the quality of Storaro's sumptuous Philippines photography, Sheen is fiercely committed and Duvall and Hopper in turn are powerhouse and edgy. While Brando, doing his own bizzaro thing in the last third, brings a little chaos unintentionally in keeping with the madness at the heart of this particular darkness.

Personally that last draggy third does stop it from being a complete genius type whole, but everything up to it is so damn good it's arguably churlish to expect perfection? But as near perfection movies go, Apocalypse Now proudly sits with the best of them, sitting there with a harrowed look upon its face. 9/10

***One of the greatest films ever made***

The original "Apocalypse Now" is an awe-inspiring masterpiece and is my all-time favorite film. Memorable scenes abound, starting with the mind-blowing opening with Willard (Martin Sheen) having a mental breakdown in his sweltering Saigon hotel room to the tune of The Doors' "The End."

Speaking of Sheen, people overlook the fact that he expertly carries the film. His haunting commentary is one of the most effective narrations in cinematic history and hooks the viewer into the nightmare-adventure.

I could go on and on about the noteworthy scenes, but I'll resist, except to comment on Col. Kurtz: Was he really insane or actually a bold genius? General Corman informs Willard: "He's out there operating without any decent restraint, totally beyond the pale of any acceptable human conduct. And he is still in the field commanding troops." And, yet, Kurtz was accomplishing what the US military couldn't or wouldn't do because of political complications and niceties. I bring this up because, as I've aged, I've come to see that I'M Kurtz in some ways -- operating "out there" beyond the parameters and restrictions typically linked to my work.

The script was written by John Milius with alterations by Coppola as he shot the film whilst the narration was written by Michael Herr. The meaning of the story is obvious: The trip up the river led by Capt. Willard exposes him to two extreme viewpoints of war represented by the two colonels he encounters on his long journey, both of whose names start with 'K,' which is no accident:

Lt. COL. KILGORE (Duvall) is a romantic who embraces war as a lifestyle and even feeds off it, i.e. glorifies it. The fact that he's a romantic can be observed in the air-raid on the village where he literally plays Wagner as a prologue. He feeds off the war to the extent that he "loves the smell of napalm in the morning." War is just another day to him so why not go surfing? Since he lives off of the war there's no way it can kill him or even give him a scratch. Kilgore naturally has the support of the top brass because he's part of the system and plays the game of war. 

COL. KURTZ (Brando), by contrast, sees through this hypocrisy. He realizes that being in a state of war is humanity gone mad. It's living horror and therefore must be ended through the quickest means possible at whatever cost. He refuses to play the game of war as he expertly takes out double agents, etc. Of course the brass can't have this so they put out a hit on Kurtz via Willard. The existential Kurtz becomes increasingly disillusioned -- even crazy -- after jumping ship from the system and now has no sanctuary. Death is the only way out. His consolation is that Willard will tell his son the truth. 

The "Redux" version was put together by Coppola and released in 2001 with the addition of 49 minutes of material that he originally cut, not to mention placing Clean's surfing scene later in the story.

Coppola made the right decisions with his original 1979 edit of the film (2 hours, 33 minutes) since the extra footage of "Redux" tends to drag the film down with 1 or 2 scenes being dubiously scripted, e.g. the theft of Kilgore's surf board. Not every idea that is birthed during the creative process is worthy of the final product and "Redux" illustrates this. Thus the new footage of "Redux" should've arguably been relegated to the "deleted scenes" section.

That said, I've warmed up to "Redux" and feel it's a worthy version of the film, but only _if_ you've watched the Theatrical Cut and **want more**. "Redux" successfully fleshes out the characters and gives them more dimension, especially Willard and Kurtz. Plus the sequence involving Kurtz reading a couple of TIME magazine articles illustrates beyond any shadow of doubt that he _wasn't_ insane and that the brass simply slandered him as crazy in order to justify the assassination of a decorated American officer.

Coppola's preferred cut of the film is the "Final Cut," released in 2019, which runs a half hour longer than the Theatrical Cut. In other words, it trims the fat off of "Redux." There's also a "First Assembly" version, a bootleg, that runs 4 hours, 49 minutes.

The film was shot in the Philippines. 

GRADE: A+

Rocketeer Raccoon

I think a lot of people who think this film is a classic are deranged, the only memorable scene in the film is when they drop exploding napalm and the guy in the hat says "I love the smell of napalm in the morning", the rest of the film is a completely boring bombshell and it's like the film was high on drugs as there's this one part where people are butchering a cow in the most grotesque way possible... poor cow, now I'm offended by this film.

This film is just weird, the characters are not memorable at all not even Marlon Brando's character, the story is non-existent and the ending just sucks. Overall this film is absolutely terrible and I don't care what others think, I did not enjoy this film at all.

Ian Beale

**Ponderous, meandering epic with a few bright spots.**

This film is about a soldiers quest to find a renegade and insane Colonel (a bald Brando in an extended cameo)  who has hidden himself away in the depths of the jungle and is causing all manner of commotion.  Quite what it was - I can't remember, but it _was_ important enough to go down stream in search of him.

Sheen's character decides to head down river with his fellow soldiers and seek out the bald lunatic before its too late. Robert Duvall is hilarious as a war immune soldier - especially when a shell explodes near him and he merely gives it a disinterested glance. Amusing!

On the whole, though, this is a ponderous trip - the film seems to meander aimlessly with little to keep this viewer interested.


- Ian Beale

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