John Travolta

Nicolas Cage

Joan Allen

Alessandro Nivola

Gina Gershon

Dominique Swain

Nick Cassavetes

Harve Presnell

Colm Feore

John Carroll Lynch

CCH Pounder

Robert Wisdom

Margaret Cho

James Denton

Matt Ross

Chris Bauer

Myles Jeffrey

David McCurley

Thomas Jane

Tommy Flanagan

Dana Smith

Romy Walthall

Paul Hipp

Kirk Baltz

Lauren Sinclair

Ben Reed

Lisa Boyle

Linda Hoffman

Danny Masterson

Father Michael Rocha

Megan Paul

Mike Werb

Tom Reynolds

Steve Hytner

Carmen Thomas

John Bloom

Thomas Rosales Jr.

Walter Scott

Brooke Leslie

Cam Brainard

David Warshofsky

John Neidlinger

Norm Compton

Gregg Shawzin

Clifford Einstein

Marco Kyris

Tom Fridley

Andrew Wallace

Jacinto Rodriguez

Chic Daniel

Laurence Walsh

Tony Boldi

Khristian Lupo

William Morts

Jason Thomas Campbell

Tory Christopher

Robert 'Bobby Z' Zajonc

Del Zamora

Steven Kemper

Neil Spisak

Garrett Lewis

Barrie M. Osborne

Oliver Wood

Christian Wagner

Mindy Marin

David Permut

Terence Chang

Steven Reuther

Steve Arnold

John Woo

John Powell

Susan Kurtz

Tony Lamberti

Anna Behlmer

Karen Shaw

David M. Ronne

Tom Perry

Peter Jensen

Rick Morris

Sally Boldt

Andy Nelson

Brian Smrz

Marty P. Ewing

Christopher Assells

Cate Hardman

Scott Wolf

Mark P. Stoeckinger

Michael A. Reagan

Stephen Vaughan

William D. Barber

Mark Riccardi

Mickey Giacomazzi

Jeff Habberstad

Scott Sproule

Kevin Yagher

Dane Farwell

Carl Paoli

Jim Wilkey

Boyd Shermis

Carol Neilson Smrz

John Branagan

Richard E. Hollander

Bob Brown

Carrick O'Quinn

Steven Ritzi

Webster P. Whinery Jr.

William H. Burton Sr.

Jeff Levine

Michael Colleary

Jonathan D. Krane

Michael Douglas

Christopher Godsick

Alisa Christensen

Jon H. Epstein

Diana Lee Inosanto

Mark De Alessandro

Carin Rogers

Gail Clark Burch

Philip Rogers

Richard Corwin

David Williams

Susumu Tokunow

Doug Coleman

Howard Bachrach

Joan Cunningham

Bronwyn Preston

Rodney Armanino

Michael Dennison

Dan Romero

Arthur Anderson

Aaron Skalka

Matthew Booth

Jason Sweers

Gary Capo

Jamie Marshall

Erik Olson

Jason Weil

James Carson

Giacomo G. Ghiazza

Robert Consing

Steven Schwartz

Gerald Sullivan

Barbara Ann Spencer

Suzan Wexler

Sean Welch

William Detweiler

Gary Isbell

Anthony Belmonte

Charlie Nicholson

Oscar Delgadillo

Wendy Weaver

Action

Crime

Science Fiction

Face/Off

WCG Entertainment Productions

Douglas/Reuther Productions

David Permut Productions

United States of America

CinemaSerf

“Troy” (Nicolas Cage) is a nasty piece of work, and his latest bombing plot has attracted the attention of FBI man “Archer” (John Travolta). Now he has some personal skin in the game, as his nemesis was responsible for the death of his young son - an event both he and wife, physician “Eve” (Joan Allen) are still coming to terms with. When they apprehend him, though, the boffins come up with an unique plan that will enable "Archer" to infiltrate the terrorist gang and bring them all to justice whilst saving the city of Los Angeles from a grizzly fate. The trick? Well that involves some groundbreaking technology that will change his features from those of his own to those of “Troy”. All he has to do now is master a few of his more nasty character traits and then convince his girlfriend “Sasha” (Gina Gershon) - then he’s home and dry. Meantime, though, the real hoodlum awakens in an hospital bed and before we know it, he has assumed a counter-identity that he knows can not only put the kibosh on “Archer” and his cunning plan, but can enable him to mislead the investigators who are not in on the swap. The one woman who wasn’t read into the plot was “Eve” and so when her ‘husband” turns up as usual, we all know that a game violent and deadly game of cat and mouse is about to ensue. I did like the premise and for a while, with Cage at his most dastardly and then Travolta having a go too, it works quite well. It’s just far too strung out, though, and once serendipity has played a part once too often to help contrive the plot, I found myself losing interest in a story that became increasingly devoid of jeopardy. Moreover, as the story progresses Travolta stops being menacing and starts being hammy whilst Cage’s character strays once too often into the realms of weepy melodrama. The ending(s) take for ever to get us over the finish line, and left me feeling just a bit weary of the repetitiousness of a last twenty minutes that has pyrotechnics galore but little by way of doubt.

Andre Gonzales

Never seen a concept for movie this way. They literally trade faces. Good versus evil and not only do they trade faces but there characters and personalities have to change as well. 2 of the best that could ever do it. John turns into Nicholas and Nicholas turns into John. I would say Nicholas Cage played it better then John Travolta did.

A quality all-out action film!

<em>'Face/Off'</em> isn't one that'll stick out in my memory as something deep meaning, incredibly written or anything of the sort. However, as an action film it's superb. There's barely a chance to rethink what you've just seen due to the prevalent and manic nature of onscreen events. You also have fascinating performances from the two leads.

Nicolas Cage and John Travolta are awesome in this. I won't spoil the plot, but all I will say is that those two bring it to life brilliantly - it felt, at least to me, very believable; which is impressive. Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage.

Away from NC and JT, there isn't really anything to scream about cast-wise; although, I gotta give shoutouts to Mike Delfino and Gavin Harris; if you know, you know.

Nothing much more to note, to be honest. The terrific action means I'd highly recommend this.

It's like looking in a mirror, only, not.

There's a tendency to undervalue the action movie. Certainly there's a wide expanse of land in cinema world where film fans reside, where the thought of praising an action film for being "classic" cinema is considered treason against the very word. Yet some of the artistry involved in the genre's leading lights is purely sublime, regardless of how bizarre and unlikely the plot is. Enter John Woo's berserker, ear splitting, high octane actioner, Face/Off. Rightly sitting along side the likes of Die Hard and Predator as genre pieces that showcase how good things can be when it all comes together, Woo's movie is as much fun as you could wish to have for over two hours of explosive, fantastical, unadulterated cinema.

The plot sees John Travolta's serious family man cop, Sean Archer, devote his life to catching unbalanced maniacal bad guy Castor Troy (Nicolas Cage). There's some bad history between the two and when Archer manages to capture both Troy and his equally vile brother, Pollux (Alessandro Nivola), it would seem to be closure for Archer and his family. However, it's found that the Troy's have left a ticking bomb somewhere in Los Angeles, and if undetected it will flatten L.A. and kill practically everyone. So, Archer undergoes a revolutionary face-swapping procedure with the now comatose Castor and sets about getting the information from the incarcerated Pollux. But wait!, Castor wakes up and turns the tables by assuming Archer's identity, setting the wheels in motion for each man to live the others life until the Face/Off between the pair will decide their respective fate.

Unbelievable? Of course. Who cares? Well nobody should really, because surely going into a film like this one is expecting the ludicrous. Both Cage and Travolta are superbly realising the spectacular nature of the script, and being mesmerising in the duality of the roles into the bargain. Make no bones about it, Woo and his team have crafted a benchmark action movie. There's a trail of thought that suggests that Woo basically keeps making the same movie, that's a fair enough point, sure enough, all of his staple action sequences and traits are evident in Face/Off. Yet Woo has delved into his characters, given them some flesh on their action bones, and then upped the anti in action set pieces to cloak them in chaotic beauty. From the opening Jet escape/pursuit set up, to the outrageous speed boat finale, the film is one long exhilarating breath taker. Joan Allen, Gina Gershon, Dominique Swain & Nick Cassavetes all file into the background playing important characters who are rightly secondary to the protagonists, while a ream of extras come and go as each are dispatched in a hail of Woo inspired carnage. The pace never sags and the eyes and ears are treated to a vibrancy that is often sadly missing from many other big budgeted action blockbusters.

This is a masterpiece of action cinema, so even as a Orson Welles crane shot is a magnificent thing, so it be with the sight of two stunt men flailing thru the air in a spray of exploding water. Oh yes sir, this is a classic alright. 10/10

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