Joel Courtney

Elle Fanning

Riley Griffiths

Kyle Chandler

Noah Emmerich

AJ Michalka

Ryan Lee

Ron Eldard

Gabriel Basso

Bruce Greenwood

Zach Mills

Jessica Tuck

Joel McKinnon Miller

Britt Flatmo

Glynn Turman

Richard T. Jones

Tom Quinn

Caitríona Balfe

Amanda Foreman

David Gallagher

Brett Rice

Dale Dickey

Beau Knapp

Bingo O'Malley

Andrew Miller

Jakob Miller

Robert B. Quiroz

Koa Melvin

Greg Grunberg

Patrick St. Esprit

Katie Lowes

Michael Hitchcock

Michael Giacchino

Jonathan Dixon

Emerson Brooks

Marco Sanchez

Tim Griffin

Jason Brooks

Tony Guma

Teri Clark

Thomas F. Duffy

James Landry Hébert

Jay Scully

Ben Gavin

Dan Castellaneta

Jack Axelrod

Brandon Hirsch

J.J. Abrams

Steven Spielberg

Bryan Burk

Krista Bell

Martin Whist

April Webster

Alyssa Weisberg

Larry Fong

Ha Nguyen

David E. Scott

Patti Carns Kalles

Fainche MacCarthy

Maryann Brandon

Deborah La Mia Denaver

Mary Jo Markey

Virginia Burton

Gary Archer

Marie Fink

Clay Cullen

Dane Farwell

Al Goto

Joe Bucaro III

Lisa Hoyle

Henry Kingi Jr.

Roger Peterson

Ben Burtt

Tuyet van thi Mach

Frank Kilmartin

Buster Pile

Mika Metz

Duncan Crawford

Kenneth Garrett

Kevin C. Brady

Robert Scott Kyker

Don Bracken

Michael G. Richer

Leia Pratapas

Don Cooke

Timothy Barnhill

Aric Cheng

Merdyce McClaran

Daniel Soltis

Clint Schultz

Bobby Pollard

Patrick A. Smith

Danica Walton

Mike S. Huffman

Adam Davis

Lara Lampenfield

James Hardy

James A. Fleming

Randy Syracuse

Tammy S. Lee

David Holowach

Steve Guerino

David A. Dwyer

Mike Matesic

Thomas T. Taylor

Tom Gregg

Terry Scott

Chip Eccles

Craig Abele

Leo Welsh

Colin Anderson

Lee Johnson

Tony Willard

Pete Klingenberg

Don Easy

Paul Armbruster

David Pipik

Mike Moad

Edwin E. Lool

John Leonetti

John E. Tremba

Nick Yost

Benjamin H. Bernard

Don Yockey

Chad Herr

Coni Andress

Lilia Mishel Acevedo

Carson E. Mayne

Shaun Breedlove

Don Duffield III

Jared Wellman

Adam W. Erler

Mateo Bourdieu

Trent Ellis

Eric Laudadio

Allen De Silva

Philippe Carr-Forster

Ben Giacometti

David Jose

Bruno Nguyen

Mario A. Veloso

Marion Mauran

Brian McPherson

Thriller

Science Fiction

Mystery

Super 8

Paramount Pictures

Amblin Entertainment

Bad Robot

United States of America

79/100

Teens making an 8mm movie witness a horrific train crash that's carrying something alien. Never paid attention to this film and recently saw an old trailer so my wife and I checked it out. What a delightfully fun film this was. The kids were excellent and acted like real genuine kids. The spec fx were good, especially the train wreck, and the alien was sufficiently grotesque and monstrous. The story was well handled making the military conspiracy at the center of it all as malevolent as the alien while giving us some truly emotional and heartfelt moments. Nicely done! -- DrNostromo.com

Film of the events of a group of boys who enjoy filming with super 8. Their aim is to make a film since they love the magic of cinema. At first the train wreck is more scenic than realistic. Both the plot at certain points and the setting are very reminiscent of the Stranger Things series. I think the creators of the TV series were also inspired by this film. This is a film that is also suitable for children to watch. The end didn’t convince me much. It’s a pleasant film but in some points it could have been developed better. Film that I recommend to lovers of the late 70s and lovers of stories about a group of friends. A typically American movie.

Peter McGinn

Sometimes I feel like my interests and taste really follow the road less traveled. This is to say that Super 8 surprised me by becoming one of my Favorite.Movies.Ever. There I said it.

It seems to merge genres slightly: science fiction, of course, a bit of coming of age, a slice of movie-within-a-movie - is that all?  
 
I think I have watched this movie three times, and probably will again. It reminds me of Monsters, another low key sci-fi/monster movie I really like. The train scene about twenty minutes into Super 8 is a blockbuster scene, so much so that I believe most movies wouldn't be able to keep the rest of the film from being anti-climactic. Usually a tremendous scene like that is saved for the end of a movie, but the plot required to be right where it was. But although the action and suspense ramps down a bit following it, the movie goes to work on building up the rest of the plot and growing the characters.

The young actors starring in this movie are terrific, in my opinion, which may place me in an unfortunate minority. But judge for yourself, and try not to set the bar of excellence higher than we do for adult actors. They are smart and witty at times, but are clearly kids with kid behavior at other times, rather than miniature adults with adult lines. 

So you notice I used the words 'favorite movie,' not best. I am sure there are hundreds of movies better made than this one, but I doubt I would want to watch too many of them multiple times like I have watched Super 8.

And I just knew then that I was there, that I existed.

Super 8 is written and directed by J. J. Abrams. It stars Joel Courtney, Elle Fanning, Kyle Chandler, Ron Eldard and Riley Griffiths. Music is scored by Michael Giacchino and cinematography by Larry Fong. The film tells the story of a group of young teenagers in Lillian, Ohio, 1979, who are filming their own Super 8 zombie movie when a train derails and crashes, releasing an unknown being into their midst. As the town is threatened and mysteries start to mount up, the youngsters must come to terms with not only that, but also growing up mentally and physically.

It's feels nigh on impossible to come across a review for Super 8 that doesn't contain the name Spielberg. With the film overtly Spiebergian in themes and production, and the bearded maestro of the film geek masses on producer duties here, his name hangs over Abrams' movie like a watchful father figure. If that bothers Abrams, or indeed if it detracts from the quality of his movie? Then that's up for debate by those not enamoured with Spielberg's movies of the late 70s and early 80s. But to my mind it's a blessing, a triumph of sorts to be mentioned in the same breath as the beard and those wonderful movies of his. Part homage, part nostalgia harking, Super 8 is still one great, sweet and affecting J.J. Abrams movie.

Abrams himself is on record as saying that Super 8 is born out of two movie ideas he had, this while also being drawn from his own recollections in childhood, and the two movie idea shows. It's very much a two part picture in structure, part Stand by Me coming of ager, part Goonie like monster hunt. Nothing wrong with that, mind. However, with that comes some form of irritation to those who venture in expecting a big ole alien attack movie. Oh for sure he exists, and he is big and mean, although he has just cause, but the creature is not the centre piece of the movie. It's the human characters that form the basis of Super 8, be it the kids adjusting to their changing emotions and hormones, or the single parent fathers coming to terms with absence of love and grief, Super 8 is brimming with human heart. Yet never is it schmaltzy.

PRODUCTION VALUE!

Aided by Fong's warm metallic hued photography and Giacchino's beautiful heart tugging score (both energised in Blu-ray), Super 8 always carries a magical mysticism to it. The warm glow of nostalgia cloaks the proceedings, never cloying, always smile inducing, offering comfort as the narrative deals out observations about the need to let go while playing out as a deft, if unsubtle, meditation on grief and growing pains. The cast do wonders for their director, Fanning and Courtney are exemplary, so much raw emotion and energy, it's unfussy and believable acting. Griffith's, too, is wonderful as the booming voiced wannabe director, a tender nod of the head to the many young amateur directors out there; of which Abrams was once one himself. While Eldard and Chandler as the two fathers are most affecting, the pangs of juggling single parenting with loss are deeply portrayed.

Of the director himself? He crafts it with care and precision, a knowing of the pulse beat of the thematics to drive it forward. His attention to period details are admirable, from the dialogue sparks involving Walkman's and Soviet paranoia, to the items located within the bedrooms and houses of our young protagonists, he is a man who knows his late 70s and early 80s onions. Spielberg was far from finished as a film maker of note at the time of Super 8's release, but it did feel then that the torch was deftly being passed sideways. After the excellence of Star Trek he followed up with this most delightful of movies, where Abrams showed in his work a love of cinema that's wholly infectious. 9/10

Gimly

I kind of liked the making-a-movie-within-the-movie aspect of _Super 8_ a lot more than the chief plot with the monster and the train and the badman government and the blah blah blah. Which isn't ideal, but saying that obviously means I liked something about it.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Andres Gomez

Unsuccessful children movie trying to follow the tradition of The Goonies or E.T. from overrated J.J. Abrams.

Tons of money are wasted on FX trying to hide a weak story and a set of terrible dialogues supposedly coming from children that are totally overacted and annoyingly always shouting.

You don't miss anything if you skip Super 8.

English

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