Taken Collection

Liam Neeson

Maggie Grace

Famke Janssen

Olivier Rabourdin

Leland Orser

Jon Gries

David Warshofsky

Holly Valance

Gérard Watkins

Arben Bajraktaraj

Xander Berkeley

Katie Cassidy

Radivoje Bukvić

Nicolas Giraud

Jalil Naciri

Goran Kostić

Camille Japy

Héléna Soubeyrand

Opender Singh

Nabil Massad

Michel Flash

Rubens Hyka

Valentin Kalaj

Christophe Kourotchkine

Anca Radici

Nathan Rippy

Tommy Spahija

Anatole Taubman

Mathieu Busson

Edwin Krüger

Fani Kolarova

Bertrand Treuil

Marc Amyot

Christy Reese

George Hertzberg

Ivette González

Pierre Morel

Pierre-Ange Le Pogam

Luc Besson

Nathaniel Méchaly

Michel Abramowicz

Nathalie Chéron

Hugues Tissandier

Cindy Barr-Bright

Ferne Cassel

Alain Pitrel

Betsy Glick

Frédéric Thoraval

Alex Betuel

Fabien Vergez

Cristina Freitas

Mathilde Cavillan

Samantha Mialet

Affif Ben Badra

Serge Beuchat

Alain Barbier

Christian Bergner

Georges Branche

Régis Desissert

Vincent Bersoullé

Patrice Cossonneau

Gilles Conseil

Malki Attar

Carlos Bonelli

Vincent Cosson

Stéphane Birzin

Bouchra Fakhri

Alexandre Mahout

Éric Le Roux

Safowa Bright-Asare

Damien Berger

Gary A. Beaird Jr.

Marc Mulero

Manuel Mougin

William Gally

Joël Spinola

Nathalie Reno

Carl Bartels

Stéphanie Branchu

Christophe Bourreau

Alexandre Widmer

Marc Leroyer

Jérôme Sacerdot

Christina DeMasi

Capucine Martin

Marc Lemeslier

Gil Pannetier

Geoffrey Thiery

Jean-Claude Lecoq

Georges Demétrau

Isabelle Querrioux

Elodie Glain

Michelle Margolis

Maud Lombart

Roxane Fechner

Mickael Dumontier

Kevin Ackerman

Sybil Mosely

Adrien Arnaud

François-Joseph Hors

Mark Vanselow

Daniel Girondeaud

Sebastien Vandenberghe

Christophe Roblin

Patrick Médioni

Pascal Guégan

Christian Hening

Sylvain Gabet

Frédéric Dessains

Emilie Jumeaux

Alain Grellier

Jean-Jacques Desplanque

Pierre-Yves Rosoux

Alain Vanneville

Yves Girard

Tiffany Cowsill

Olivier Bériot

Didier Hoarau

Franck Lebreton

Grégory Barrau

Martin Boissau

Eric Bassoff

Clara Vincienne

Robert Mark Kamen

Jérôme Raffaelli

Guillaume Morand

Jianne Whelton

Jean-Loup Mangin

Frédéric Rober

Mohamed Belhamar

Christie Lehuède

Mathieu Giovanardi

Eric Navech

Marion Angebaud

Action

Thriller

Taken

EuropaCorp

M6 Films

Grive Productions

Seaside Film Taken

All Pictures Media

France

United States of America

One of my best films of all time. Apart from they made a second one, this a great movie! Liam Neeson trying to save this daughter, in France, from being sold to the highest bidder. An action packed film with good acting and great fight scenes.

Per Gunnar Jonsson

This is a very good action/thriller flick. It currently holds a 7.9 rating at IMDb which it certainly deserves. The few people giving this a 1 or 2 star rating must be disgruntled French people who do not like to see the French government officials portrayed as corrupt bastards (which they often are anyway).

I generally like Liam Neeson so the fact that he is in the movie kind of got the movie off to a good start already. In this movie he plays a real badass, I-kick-the-shit-out-of-anyone-standing-in-my-way, former CIA agent hunting down the despicable low-life that kidnapped his daughter. I really, really liked the role he played in this movie. He makes characters like Bourne look like wussy. Even I was surprised when he actually shot the wife of the corrupt French government bastard to get him to talk. That was just awesome.

The movie is pretty much action all the way. Well, it starts off laying the groundwork for the story and here Liam Neeson is indeed playing a fairly timid father that seems to be a bit out of his depth. Once he gets thrown into his right element he quickly casts of the sheep's fur and reveals the wolf (sabre-toothed) underneath.

This is really a textbook action/thriller movie. A very enjoyable hour and a half indeed.

Daddy knows best — especially when it comes to a mostly untrustworthy cast of Europeans — in this action film. Liam Neeson's performance elevated this from being forgettable. Otherwise, I kind of didn't care.

Gimly

Probably not good enough to have started the Revenge-Renaissance that it somehow did, but still a pretty entertaining time. _Taken_ does hit a lot of clichés though, and I mean, it starts hitting them right away. We're literally only minutes into the film before we find out that Neeson's lead character is divorced, and his wife has re-married to a decent, rich provider, but one who's bookish and could never take him in a fight, and that the present he got for his daughter is for an interest that she no longer has. But once we get into the action proper, it's pretty great.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Random viewing tonight, just wanted a slick and simple action-thriller and this fit the bill. Liam Neeson kicks ass and can see why his career in this genre really took off. The camera work was probably the biggest drawback (shaky cam), likely trying emulate the Bourne franchise or something. But entertaining flick that doesn't overstay its welcome coming in at around 90-minutes. **4.0/5**

Your arrogance offends me.

It is proof positive that you can still have a basic and formulaic genre piece and the multiplex crowd will forgive it the sins of film making. For here we have a revenge thriller that is over reliant on a ream of contrivances? The kind that people scoff at when horror pictures not wanting to be serious get screamed down for?. There is also some pretty poor acting performances on show, the usually reliable Famke Jansen looks lost when asked to show emotion, Maggie Grace needs to go back to acting school, whilst some of the French actors on show give French actors a bad name.

However the true saving grace in the movie, outside of some serious revenge fuelled torture sequences, is Liam Neeson in the lead role of Bryan Mills. Charismatic and believable as a father hell bent on finding the one thing worthwhile that he has in his life, it's only here that Luc Besson & Robert Mark Kamen's uneven writing gets any sort of urgency to go with the tidily put together action sequences. Taken is an enjoyable film if taken within the context of its genre, and for sure the subject matter of skin trafficking is a noteworthy plot, but no one can surely deny it doesn't have a shallow core and honestly isn't giving anything new to a pretty stagnated formula... 

By the by, the thrills ensure popcorn pleasing pleasures and thus it's rated as such. 7/10

The Movie Mob

**You will find this movie. You will watch it.**

This movie came out of nowhere! The trailer for this film relied on just one short scene of Liam Neeson threatening a kidnapper on the phone... and that was all we needed to be hooked! A basic revenge/rescue movie elevated by fantastic action, stunt directing, and Liam Neeson's delivery, all transporting this thriller into a believable reality. One of the best of the genre that paved the way for John Wick.

Taken is one of those action thrillers that doesn’t waste time getting to the point. The plot is straightforward but gripping, setting up just enough character development before throwing you into a tense, fast-paced ride. It plays on a real-world issue in a way that feels urgent, making you root for the protagonist as he fights against an unrelenting system. While the villains aren’t particularly deep, the generalization works in the movie’s favor, highlighting the unsettling reality of indifference toward human trafficking. The story keeps things simple but effective, balancing emotional stakes with action that never slows down.

The direction by Pierre Morel is sharp and efficient, keeping the pacing tight and the tension high. The cinematography leans into a gritty, realistic style that enhances the intensity, with some great handheld shots that put you right in the middle of the action. Fight sequences are well-executed, focusing on clean, brutal choreography instead of flashy, over-the-top stunts. It feels raw and believable, making every punch and takedown hit harder. The script, while not overly complex, delivers exactly what’s needed, with dialogue that is to the point and a few memorable lines that have stuck with audiences for years.

Liam Neeson carries the film effortlessly, giving a performance that is both emotionally grounded and intimidating. He turns what could have been a standard action role into something much more compelling, making you feel every ounce of desperation and determination in his character. The supporting cast does their job well, though some characters don’t get much depth, which is expected given the movie’s runtime. The score complements the film’s tone, keeping the tension high and the momentum going without being distracting. Overall, Taken is a lean, intense action thriller that doesn’t try to be anything more than what it is, and that’s exactly why it works so well.

Taken

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