Hilary Swank

David Morrissey

Idris Elba

AnnaSophia Robb

Stephen Rea

William Ragsdale

John McConnell

David Jensen

Yvonne Landry

Samuel Garland

Myles Cleveland

Andrea Frankle

Mark Lynch

Stuart Greer

Lara Grice

Cody Sanders

Burgess Jenkins

Sabrina A. Junius

Jillian Batherson

Karen Yum

Afemo Omilami

Axel C. Cartagena

Javier Ortiz Cortés

Iris Martinez

Axel Anderson

Robert Alonzo

Eddie J. Fernandez

Abraham Henderson

Felipe Febres Rivera

Gregorio Allende

Sixta Rivera Romero

Rafael Fuentes Negrón

Michelle L. Clarke

Sierra Lyn Duncil

Lisa Marie Dupree

Carol Dupuy

Louis Dupuy

Stephanie Honoré

Cody Juneau

Kevin Lorio

Ross Rouillier

Brian Tester

Kimberly Whitfield

Ashley Wilkes

Stephen Hopkins

Colby Parker, Jr.

Peter Levy

John Frizzell

Bruce Berman

Kate Garwood

Steve Richards

Richard Mirisch

Erik Olsen

Cal Johnson

Eddie Braun

Nick Stanner

Steven Ritzi

Lex D. Geddings

Anthony G. Schmidt

Bryan Friday

Josh Mueller

Jay Amor

Joel Kramer

Glenn R. Wilder

Wyatt Tipton

Chad Mason

Larry Rippenkroeger

Jack Gill

Brian Simpson

Cody Gill

Charlie Brewer

Robert Zemeckis

Jeffrey Kurland

Herb Gains

Lora Kennedy

Joel Silver

Susan Downey

David Forrest

Carey Hayes

Chad Hayes

Brian Rousso

Dottie Starling

Paige Reeves

Autumn Butler

Graham "Grace" Walker

Kathrine Gordon

Chris L. Spellman

Bonnie Clevering

Morag Ross

Beka Wilson

Douglas Noe

Scott Ritenour

Rhonda O'Neal

Virle S. Reid

Michael Hendrick

Tom Jones Jr.

Sean Ginevan

Georgie Miranda

Mark Weissenfluh

Luis Edgardo Maldonado

Mark W. Brown

Daniel Coe

Byron Denson

Kristen Donaldson

Denise Templeton

Larry Misselhorn

Gladys Bustos

Willie Thoms

Andrew M. Casbon III

Joe Walsh Jr.

Roger Prater

Elliott Glick

Jeff B. Adams Jr.

Mark Moretti

John B. Clarey III

Andrew Petrotta

Jeffrey Scott Thomas

Randy Kenan

Frank Hendrick

Juan Guallini Indij

Trey Merrill

Anthony J. Henderson

Robert Possum Miller

Gail Briant

Luis E. Colón

Jimmy Ferguson

Eyra Agüero Joubert

Loretta Harper

Wayne Douglas Morgan

Bruce Hazen

Christopher M. Fisher

Eric Moore

Stephen Campbell

Chris Shadley

Giovani Lampassi

Louis Normandin

Giselle Spence

Lesley D. Wickham

Jahoon Koo

Helena Masand

Kevin McGill

Horror

The Reaping

Dark Castle Entertainment

Chime Films

Eyetronics

Village Roadshow Pictures

Warner Bros. Pictures

United States of America

Dr Nostromo

59/100

A fallen ordain minister, who now debunks miracles, goes to a small, secluded hamlet in Louisiana called Haven where the river appears to have turned to blood. This was a pretty entertaining "science vs religion" story centering around a creepy little girl. Is she an angel? the devil? or something else? The plagues were effectively presented as well as how you'd expect people in that culture to react. Not particularly scary but well worth a watch with an ending that, although not great, did the job just fine. -- DrNostromo

Watchable enough supernatural horror (in the vein of The Omen I guess), there's not a whole lot that was memorable save maybe for the finale. Hilary Swank felt like she was mailing it in as I didn't have much emotion in spite of her character's tragic background while Idris Elba, as great of an as he is, didn't make much of a mark and felt wasted. Can't say I was once scared but in fairness, these type of horror movies rarely do much for me. **2.75/5**

_**Intriguing first act gives way to dull second act, but decent ending**_

Released in 2007, "The Reaping" is a about a former ordained missionary who's now a professor who debunks supposed miracles around the world (Hilary Swank). She and her assistant (Idris Elba) venture to a bayou town where, amazingly, the ten plagues of Exodus are manifesting (!). David Morrissey plays their host in the town while AnnaSophia Robb plays the 12 year-old focal point of the plagues. Are the plagues real or can they be scientifically explained? If they're real, who's the source, God or the devil?

This is a haunting mystery horror film rather than a monster/slasher movie, so if you're looking for the latter don't bother. That said, this is an extremely well-made production. The visuals of the various plagues are awesome, particularly the bayou turning to blood, the locusts and fire raining from the sky. Moreover, Swank looks super sharp in the manner of Raquel Welch (neither are my type, but who can deny their looks that kill?). Elba is a likable partner and Morrissey seems creepy from the get-go. As for AnnaSophia, it's clear even at 12 years of age that she was gonna morph into a curvy cutie.

Where the movie goes wrong are elements of the story/script. It starts out good and is intriguing for the first 45 minutes or so, but then the next 30 minutes seriously lag. When the plot twist is revealed in the last act it turned me off the first time I watched the film, but I was braced for it with my second viewing and was able to accept it. The ending, while cartoonish, is spectacular in the manner of the end of "Raiders of the Lost Ark." So this is a solid mystery/horror movie, but it could've been better if they worked out the kinks in the screenplay, like the draggy second act and unsavory plot twist.

The film runs 99 minutes and was shot in St. Francisville, Louisiana (the bayou town), Louisiana State University in Baton Rouge, Shreveport & New Orleans, Louisiana, as well as San Juan, Porta Rico (the opening sequence) and Austin Texas.

GRADE: B-

The Movie Diorama

The Reaping harvests souls of the religiously devoted by subjecting them to this. “What hath God wrought?”. If ever there was a tagline that would instantly persuade audiences to leap up from their sofas, drive to the nearest cinema complex and purchase a couple of tickets, it’s this one. Sure, using a phrase from the Book of Numbers (as opposed to Exodus which is the primary plot device of the film...) certainly sets the religiously inclined tone, that eventually dissolves into the plagued river of blood but more on that later. It also indicates the unimaginative stupidity that ensues, leaving logic and science behind for a faith-based apocalyptic tale that is in need of some serious stoning. A professor in debunking miracles is invited to investigate a “river of blood” in the nearby town of Haven, but is quickly ensnared in an apocalyptic mystery.

Whilst not the worst horror film in the existence of cinema, with a tepid schlocky tone that somewhat juxtaposes the devoted Christian ideologies presented, yet is so inexplicably dumb that it will leave you questioning why such a film was created in the first place. Its initial introduction commenced with much promise. Science against religion. Simple logical explanations explaining what many describe as religious miracles. Yes, it’s relatively on the nose and misses the point of acquiring faith, yet remained an interesting direction for the first half that managed to conjure up various problematic conversations.

Hot off her Oscar win, swanky Swank muddles through this unusual mystery with much trepidation, choosing not to believe that the plagues of Egypt condemning Haven are in fact coincidental, offering scientific explanations. Algae bloom for the “blood river” that has the consistency of red-dyed water (sorry not sorry...). Infections terminating frogs, that is never explained how they fell from the sky, but whatever. Flies consuming the flesh of the frogs, and you get the idea. She remains unconvinced throughout these biblical mishaps, and provides an interesting angle.

Well, that is until about halfway through when she switches from being Bill Nye the Science Guy to Pope Francis of the Vatican. Suddenly she has faith, despite her tragic backstory clumsily spliced with the main plot, and holy reaping balls do events get crazy. CGI locust infestation, satanic cult crazes and a thunderstorm of fire that incinerates life in a matter of seconds. It went from a minor science experiment to absolute chaos, quicker than a snap of your fingers. The change of pace is so jarring and bewildering, that when the predictably obtuse third act arrives you’re stunned into silence. The tantalising debunking approach now plagued by, well, the plagues. The mystery is ham-fisted and makes no sense whatsoever. Constant flashbacks providing clues, more like clear answers mind you, were choppy and fragmented. It’s not scary in the slightest. Main characters are expended and forgotten about almost instantly, a shame considering Elba was decent as always. And what’s Rea’s purpose in this? No seriously. Except for providing basic exposition, he seemed pointless in this endeavour.

A very minuscule part of my soul wants to like this for being the barking mad mystery that it is. To an extent, it is watchable if you know to turn your brain off and devour all the spiel on religious provocations, despite the interesting first act. It has this surreal allure, making each watch tolerable. But then I think back to the last thirty minutes and I then really want to experience all ten plagues for myself. Incomprehensibly ludicrous. What hath God wrought you ask? This.

The Reaping

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