Josh Hartnett

Ariel Donoghue

Saleka Night Shyamalan

Alison Pill

Hayley Mills

Jonathan Langdon

Mark Bacolcol

Marnie McPhail

Kid Cudi

Russ

Marcia Bennett

Vanessa Smythe

M. Night Shyamalan

Lochlan Ray Miller

Steve Boyle

David D'Lancy Wilson

James Gomez

Nadine Hyatt

Michael Brown

Hailey Summer

Olivia Barrett

Allison Ference

Harley Ruznisky

Joseph Daly

Luke Charles

Mateo Arias

Milan Deng

Ajanae Stephenson

Khiyla Aynne

Abbas Wahab

Bobby Manning

Maya Lee O'Connor

Lauren Brady

Valentina Theresa

Erica Wilson

Leeyarah Belle Barcia

Sare Thorpe

Mia Yaguchi-Chow

Dominique Brownes

Lara Zaluski

Timilehin Olusoga

Elizabeth Victoria Wong

Josh Stone

Piper Hook

AJ Nadeau

Michael Cox

Jarrod W. Clegg

Jennifer Ashleigh Lloyd

Iliya Kovler

Joshua Peace

Ashwin Rajan

Sayombhu Mukdeeprom

Noemi Preiswerk

Debbie DeVilla

Caroline Duncan

Herdís Stefánsdóttir

Douglas Aibel

Aleks Cameron

Jamie Jones

Marc Bienstock

Steven Schneider

Brittany Morrison

Simon March

Annabel Kearns

Natalie Kitchen

Brick Mason

Sabrina Lantos

Heather Carlson

Ramiro Galan

Denis Bellingham

Chris Burdon

Luke Gentry

Kevin Jung

Paul Lynch

Jack Madigan

Dashen Naidoo

Jill Purdy

Ashley Stevens

Tori Binns

Amber Chase

Iantha Goldberg

Sandy Sokolowski

Josie Stewart

Jessica Cheung

Tyler Delben

Justin Gajewski

Myron Hoffert

Rick Morris

Denzel Watson

Innanen Mike

Simone Quinlan

A. Ross De St. Croix

Melissa Kelly

Al Vrkljan

Antal Csendes

Attila Dóczi

Jake Gilmour

Michael Heathcote

Douglas Koch

Nasim Kosarnia

Keri Anderson

Daniel Pauselius

R. Scott Phillips

Jacob Rocha

Zsolt Speier

Deborah Maxwell Dion

Matthew Glasner

Jonathan Oliveira

Zameret Kleiman

Concetta Lundy

Sharon M. McDonell

William Ng

Consuelo Solar

Aaron Becker

Cora Kozaris

Frank Biasi

Patrick Duchesne

Jacob Kirby

Nelson Vicens

Martin Zaharinov

Susan Jacobs

Lesley Langs

Dylan Neely

Jason Leeking

Colby Bartine

Mathieu Bourguignon

Daniel Bryce

Andrea García Manzano

Yabin Morales

Gillian Pearson

Will Towle

William Roberts

Alex Armbruster

Bob Brown

Brayden Jones

Brent Jones

Brook Jones

Carl Fortin

Cotton Mather

Crime

Horror

Thriller

Trap

Blinding Edge Pictures

United States of America

I found it to be a well-crafted film.

The cinematography was commendable, with visually engaging scenes that were thoughtfully composed. M. Night Shyamalan's direction was solid, delivering a coherent narrative while showcasing his daughter's musical talent on stage, a personal touch that added depth to the project. The score complemented the film effectively, enhancing the overall atmosphere.

While not groundbreaking, the film's execution was undeniably competent, making it a noteworthy addition to Shyamalan's body of work.

Dean

What a great movie. Not a single moment in this movie was boring. Nowadays it's really rare to make movie so interesting and also clean from woke propaganda. Definitely deserves high ratings from me.

Truly Dreadful. I didn't realise that the main theme of this film was explicit nepotism until I saw that Shamyamalan cast his own daughter as the female lead / singer / star in a somewhat vain attempt to launch or boost her career. But apart from that, this film just does not make sense. At all. Ever. The dude who spills the beans (no spoiler as it's in the trailer) .. I mean .. how on earth does someone have to be that unaware ?? Also, just the actions and words of each character don't ever add up to what they would do or say in a similar (lol) situation. Doesn't anyone ever push back in the writer's room and say "listen, the character x has just discovered ... and the first thing we've written they do is ...???!".

Let's just take a tiny moment in the concert. At one point, a guest singer comes up in the middle of the floor on a lift RIGHT IN THE MIDDLE OF THE FLOOR CROWD ! And they leave the hole just .. literally ... gaping for anyone to fall into etc.  Did any of the writers actually ever go to a concert before or are they always in the back VIP section ?

Anyway, enough from me. Like and subscribe (joke) for more reviews.

The first half of the movie was suprisingly good, the plot, ambiance, music and suspense. Then it totally changed into a commercial thrill movie with expected twist.

Did M. make a whole movie just to promote his daughter's music career? Maybe. Do I mind? Not so much. Makes him a better father than Jackie Chan. I take offense to the movie being hilariously bad though.

I'm disappointed because I thought this was a horror movie. The tagline is misleading. It should read "A father takes his daughter to a concert, only to realize they're at the center of a dark and sinister event." because his daughter didn't realize anything.

I'm also disappointed because I really thought Alison Pill was his secret accomplice. This is a bit of me typecasting her after her psycho role as Betty in Them (2021). I need more Alison Pill in my life.

Over the years I'd say my personal opinion of M. Night Shyamalan‘s work, is somewhat mixed. 

Trap however, leaves no room for compromise. In my opinion, its simply poor. Why? Its scripting and associated characterisations, lack depth and intelligence. 

Okay, the idea of a setting an elaborate trap for a serial killer, in a concert, is interesting.Yet, in spite of the fact the main character is apparently a highly successful, if that's the right word, cold and calculating killer, who has, thus far, evaded capture, then why does he behave like a clumsy amateur? 

The ensuing litany of naff moves by our anti hero, combined with ham fisted plot twists and turns, leads to a tale that doesn't ring true or make a lot of rational sense. Suffice to say Trap is a disappointing watch, that quickly squanders any currency, it might have had. 

Its a shame too, as there are definite upsides. Production values are above average, there are no issues with the quality of acting and a credible performance, as the concerts lead singer, is handed in Shyamalan‘s daughter. Its not my kind of music but its clear, she's genuinely talented. 

In summary, strong production values, acting and performances, don't make up for a clumsy, less than subtle script, that left this reviewer  feeling underwhelmed, by this ultimately dull, psychological thriller.

M. Night Shyamalan is a director that I've struggled to appreciate. Despite giving his movies multiple chances, I've found most of them to be lacking in some way. Even films like "Old" started strong but fell flat with their endings.

I continue to try to grasp Shyamalan's vision and goals in the cinematic realm, but his tendency towards over-the-top and confusing plots often makes it challenging to enjoy his work. Nevertheless, I decided to give his latest movie, "Trap," a chance and headed to the theater.

In this film, Josh Hartnett delivers a stellar performance that keeps you engaged from start to finish. Overall, I found the movie to be well-executed. However, the biggest flaw lies in Shyamalan's struggle to land a solid ending. Instead of choosing one direction, he incorporates multiple ideas, resulting in a convoluted and confusing conclusion that leaves viewers puzzled about the plot's resolution and twists.

"Trap" follows this trend, offering multiple endings that make you think the movie could have wrapped up several times over. Despite the extra 20 or 30 minutes of extended runtime, the film manages to remain decent. While it may feel lengthy at times, the overall quality holds up.

What a ridiculous movie. Cooper spends the entire time behaving in the most bizarre and suspicious way possible, the FBI and every other law enforcement agency have handed operational control (including storming in and tazing a suspect) to a profiler, and he's allowed to escape multiple times by the most breathtaking incompetence on the part of LEOs. Nothing about this movie is believable, the acting is completely OTT, and the plot is barely extant. Do yourself a favour, just buy the soda and popcorn and skip the movie.

I was hooked by the premise of Trap from the moment I saw the trailer. The idea of a serial killer bringing his daughter to a Taylor Swift-like concert, only for it to be a police trap to capture him, immediately grabbed my attention. I’ve always enjoyed M. Night Shyamalan’s films, particularly when he reveals the twist right from the beginning. With Josh Hartnett in the role of the serial killer, I was eager to see how this intriguing setup would unfold.

The premise of Trap is undeniably captivating, setting up a high-stakes thriller from the outset. The concept of a seemingly innocent concert turning into the backdrop for a police sting operation is both original and suspenseful. 

Josh Hartnett delivers a terrific performance, portraying the serial killer with a chilling mix of charisma and cold calculation. His ability to switch between a doting father and a remorseless killer is unsettling and adds layers to his character. For instance, a scene where he interacts lovingly with his daughter moments before revealing his sinister intentions showcases Hartnett’s range and adds to the film’s tension. His portrayal keeps the audience on edge, wondering how far his character will go and how the situation will unravel.

Trap is a movie that requires some suspension of disbelief, as it occasionally stretches the bounds of plausibility. However, if you allow yourself to get lost in the story, the film is an intense thriller from beginning to end. The pacing is well-handled, with the tension building steadily as the plot unfolds.

That said, the film does have its share of plot holes and moments that strain credibility. There are a few instances where the suspension of disbelief is pushed to its limits, such as the police’s elaborate setup and the killer’s seemingly superhuman ability to evade capture. These elements can be distracting, particularly in the final act, where the film becomes somewhat redundant. The climax, while thrilling, feels repetitive and doesn’t fully capitalize on the strong buildup that precedes it.

Despite these issues, I walked away from Trap having enjoyed it enough to consider watching it again. The film is a fun, intense thriller that keeps you engaged throughout, provided you’re willing to overlook some of its more implausible moments. Josh Hartnett’s performance is a standout, and the film’s unique premise is executed well enough to deliver a satisfying, if not entirely flawless, viewing experience. If you’re a fan of Shyamalan’s work or enjoy thrillers that blend suspense with psychological drama, Trap is worth your time.

"Trap" is an intense thriller that keeps viewers on the edge of their seats with its gripping plot and unexpected twists.

CinemaSerf

Well the best bits of this are most definitely in the trailers! "Cooper" (Josh Hartnett) takes his daughter "Riley" (Ariel Donoghue) to see a "Lady Raven" (Saleka Shyamalan) concert only to find that when they are in the arena, the feds descend on the place like a ton of bricks and thanks to some secret information obtained from the guy who sells the T-shirts, we discover that it's all an elaborate trap to ensnare the "Butcher". As the name suggests, he's a brutal serial-chopper whom they know is at the concert. With the net tightening, we begin realise quickly who the identity of the murderer is and so now have to sit through an increasingly preposterous hundred minutes of cat and mouse with Hayley Mills hoping to catch her man. At times this does generate a bit of menace as he sees the openings to flee being systematically closed in front of him, and with his enthusiastic daughter in tow, his options are increasingly limited but in the end it's all peters out into a rather ridiculous ending that I found rather weak, implausible and disappointingly unoriginal. Hartnett just hasn't the manner to convince as the baddie and there's way too much concert-style material that suggests Miss Shyamalan asked her dad if she could have a film for Christmas. Too long and too feeble, sorry.

Quite the nosedive!

I actually enjoyed the opening chunk of <em>'Trap'</em>, everything at the music concert is fairly well done and kept the intrigue alive for me. However, once events leave the arena the movie absolutely bombs its way to the finish. The last portion of the film is terrible viewing, it felt like it just kept going and going and going.

There are plot holes aplenty, nonsensical 'twists' and character decisions/abilities. Cooper, played finely to be fair by Josh Hartnett, is absolutely some sort of big shot in his 'line of work', though makes some dumb mistakes. Though he is apparently capable of teleportation, based on one scene involving a limo.

I'm not someone who needs every inch of a movie to make sense, I can enjoy something that's simply an entertaining watch; even with poorly crafted elements elsewhere in the movie. This, unfortunately, ends up being just bad. That is a shame, because I honestly did like (albeit mildly) the stuff at the venue.

Very surprised to see the fairly good reception this has received so far on a few sites, I would not have predicted that but, hey, what do I know?

Louisa Moore - Screen Zealots

Writer / director M. Night Shyamalan‘s most annoying filmmaking traits are on full display in his latest movie “Trap,” a psychological thriller that initially promises an engaging narrative but ultimately collapses into the void of ridiculous twists and turns. This is far from Shyamalan’s finest hour, and the film rambles and sputters into one of his most unbelievable and absurd revelations yet, one that is so inanely dumb that it’s impossible to suspend disbelief.

The story follows everyday dad Cooper (Josh Hartnett) attending an afternoon concert with his teenage daughter Riley (Ariel Donoghue). Lady Raven (Saleka Shyamalan) is the hottest ticket in town, and Cooper splurged on floor tickets to make his little girl happy. Things seem fine until they’re not, and it’s revealed that Cooper is actually a serial killer nicknamed Butcher. Turns out the cops have set up a complex police blockade at the show with the intent on capturing him, and it’s clear he has no way out. Forced to use his wits to evade and escape, Cooper comes up with a series of clever distractions in order to keep his deep, dark secret hidden away from the FBI agent and criminal profiler in charge (Hayley Mills).

The first half of the movie is compelling enough, with a tense atmosphere and a buildup that hints at a plot that could have some sophisticated intricacies. It’s fun to watch how Cooper’s mind works, and it’s uncomfortable once you realize you’re rooting for a serial murderer to escape. This is done reasonably well and is the best part of the movie. The second half, however, derails spectacularly. The story becomes increasingly convoluted and nonsensical, introducing a series of ludicrous twists that undermine any semblance of coherence. This is bad even for Shyamalan.

Hartnett does a great job with his performance and is tasked with playing two men in one. He’s believable as the calm and goofy dad, but also switches to a dark psychopath on a dime. He’s by far the best part of the movie. Of course, while Harnett’s performance is one of the most enjoyable aspects, one of the film’s most glaring flaws is the weak turn from Saleka Shyamalan. I don’t want to pick on her as she is the director’s own daughter, but the forced nepotism reeks here. Saleka can’t act, she’s a mediocre singer and songwriter (a half dozen of her original songs are prominently featured during a majority of the film’s run time), and the movie comes across as being made solely to showcase M. Night’s kid while trying to make her a star. Her performance is as unconvincing as Harnett’s is credible.

With a contrived and nonsensical plot, bad performances, and an illogical twist that will leave you more frustrated than entertained, “Trap” is another disappointing effort from a director who could do so much better.

By: Louisa Moore / SCREEN ZEALOTS

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