Richard Burton

Clint Eastwood

Mary Ure

Patrick Wymark

Michael Hordern

Donald Houston

Peter Barkworth

William Squire

Robert Beatty

Brook Williams

Neil McCarthy

Vincent Ball

Anton Diffring

Ferdy Mayne

Derren Nesbitt

Victor Beaumont

Ingrid Pitt

Guy Deghy

Philip Stone

Chris Adcock

Del Baker

Richard Beale

Ivor Dean

Max Faulkner

Harry Fielder

John G. Heller

Olga Lowe

Ian McCulloch

Terence Mountain

Derek Newark

Jim Brady

Anton Rodgers

Jack Silk

Jim Tyson

Ernst Walder

Del Watson

Terry Yorke

Bill Burns

Pauline Chamberlain

Vic Chapman

Terence Conoley

Jim Dowdall

Frank Henson

Lyn Kennington

Nigel Lambert

Edward Michael Perry

Peter Roy

Bill Sawyer

Larry Sheppard

Fred Wood

Elliott Kastner

Brian G. Hutton

Arthur Ibbetson

Ron Goodwin

John Jympson

Fred Hellenburgh

Richard Parker

Alistair MacLean

Peter Mullins

Ted Lloyd

Arthur Newman

Paul Wilson

John Jay

Paul Stader

Bob Bremner

Jonathan Bates

John Bramall

Gillian Aldam

Penny Daniels

Jack Cooper

Richard Best Jr.

Richard Graydon

Peter Dobson

George Lane Cooper

Romo Gorrara

Jimmy Lodge

Michael Hickey

Peter Brace

Tom L. Dittman

Alf Joint

Anthony Waye

Yakima Canutt

Billy Cornelius

J.B. Smith

Tom Sachs

Rick Lester

Peter Hancock

Tex Fuller

Arthur Taksen

Tim Condren

Tony Sforzini

Colin M. Brewer

Steve Emerson

Yvonne Blake

Patrick Clayton

Chris Kenny

Roy Everson

Dave Newman

Eddie Powell

Dave Wilding

Al Lettieri

Terence Plummer

Les White

Arthur L. Frantz

Alan Strachan

Brian Couzens

Allan Jones

Norma Garment

Ginger Gemmel

Kelvin Pike

Elsa Fennell

Nosher Powell

Douglas Adamsson

David Watson

David Cadwallader

Dennis Fraser

Joe Powell

Terry Richards

Doug Robinson

Jimmy Thong

H. A. R. Thomson

Graeme Scaife

Mickey Lennon

David Wynn-Jones

Denis Holt

Jerry Gershwin

Tom Howard

Adventure

Where Eagles Dare

Jerry Gershwin Productions

Elliott Kastner Productions

Winkast Film Productions

Gershwin-Kastner

Metro-Goldwyn-Mayer

United Kingdom

United States of America

CinemaSerf

When an American general's plane is forced down over Nazi Germany, it falls to "Smith" (Richard Burton) to lead a crack team into the depths of the Wehrmacht to get him out before a dose of scopalamine elicits the truth about the plans for an allied invasion of Europe. No sooner do they land, though, when things start to go wrong. With one of their number not even surviving the parachute drop into the snowy forest, "Smith" finds himself relying more heavily on American Ranger "Schaffer" (Clint Eastwood). The two have never met before this mission, and the latter man is frankly quite puzzled as to his inclusion on this British operation in the first place. The general is being held in the "Schloß Adler" high atop a rocky outcrop accessed only by helicopter or cable car - and there are thousands of troops stationed nearby. It's soon clear that someone in his team has dubious loyalties, and things becomes distinctly more perilous as they have to survive the hostile environment of the cold, avoid the pursuing soldiers and infiltrate the castle - where an even more deadly series of challenges await his dwindling group. Alistair MacLean was always quite good at adapting his novels for the screen in a way that alerts the audience to certain facts before the characters, and here that works effectively to create an action-packed adventure that is charismatically led by Burton and the engagingly laconic Eastwood and full of duplicity and betrayal with plenty of lovely pyrotechnics and a denouement that keeps us guessing right until the credits. There's a strong supporting cast with the malevolent SS "Von Hapen" (Derren Nesbitt) and Mary Ure's resourceful "Mary" adding a little extra depth to a story that flies by for 2½ hours.

The story is very interesting, Clint Eastwood looks very good on Nazi Uniform and kick 4ss so much 4ss it kind of ruins the almost perfect story about counter spies double agents, double cross mumbo jumbo

If they wanted to end WWII they should have sent Clint Eastwood and Richard Burton dressed as SS officers.

So close to being a great film.

There is a lot I enjoyed about 'Where Eagles Dare', the core of the film has some greatness to it. The action sequences are fun, the acting is terrific and the music is strong. However, it has far too many lull moments for me to consider it anything other than 'good'.

A 2hr run time would've been perfect, instead it's stretched out to 2hrs 30mins+ and it really shows. The pacing is bad, any moment of quality is immediately followed by the film dragging its heels. It heavily overstays its welcome, in my opinion.

Richard Burton and Clint Eastwood are excellent together, while the rest of the cast are very good themselves. It's just a shame about the aforementioned, as I could quite easily see this being one of my favourite films if what I've stated wasn't true.

I'd personally be up for a shorter, tighter remake of this, because all the ingredients are there; it's like a 'Bond' film mixed with 'Fast & Furious' in parts.

_**One of the greatest action/adventure films ever made**_

RELEASED IN 1968 and directed by Brian G. Hutton, "Where Eagles Dare" is a World War II adventure about handful of commandos parachuting into the wilderness surrounding a German castle-fortress high in the Bavarian Alps. Their mission is to rescue a captive general before the Germans can interrogate him. However, not everything is as it first appears.

The film is not a conventional World War II flick. Alistair Maclean wrote the script based on his novel and thus the movie is, unsurprisingly, a spy thriller just as much as it is a war picture. Keep in mind that spy flicks were super-hot when the film was released (e.g. James Bond). Are 60's spy films plausible? Realistic? No, they only have the veneer of plausibility and realism; underneath it's all escapist fantasy. So it is with "Where Eagles Dare."

The opening with the breathtaking Alps and Ron Goodwin's exhilerating score is one of the greatest cinematic openings in history. From there you get intrigue, thrilling action scenes, a magnificent castle, Richard Burton at his charismatic best, two beautiful women (Mary Ure and Ingrid Pitt), surprising plot twists, cable cars, a suspenseful escape and a don't-see-it-coming ending, not to mention Clint Eastwood.

Speaking of Eastwood, he plays a taciturn American lieutenant, second fiddle to Richard Burton, the British leader of the operation. Believe it or not, Burton's charisma is so out of the ball park that Eastwood pales by comparison. Of course, this has a lot to do with the way their roles were written, but you still have to give Burton credit for blowing Eastwood, who's no slouch, out of the water.

Some complain about the utter ruthlessness of the Allied commandos, particularly the characters played by Burton and Eastwood, but they're Special Forces on a secret mission, not conventional soldiers in infantry combat. They're professional killing machines, which is why they were given the job. There was no room for mercy in this operation at this stage in the war.

In any case, it's exciting to see Burton & Eastwood and their team mow down scores of Germans. The film's so well-done and compelling that you sorta don't realize how unbelievable it is while watching. This is because it lacks the cartoonish-ness of, say, "Rambo 2" and "Rambo 3" and maintains an air of realism throughout (which is different than saying it's realistic).

FINAL WORD: "Where Eagles Dare" is one of the greatest action/adventure films of all time and is as-good-or-better than any war flick you care to name. The exhilarating score itself is worth the price of admission, as is the opening. If you're in the mood for a World War II flick, "Where Eagles Dare" belongs near the top of the list.

THE FILM RUNS 2 hours, 35 minutes and was shot on location in Austria with studio work done in England.

GRADE: A

Major, right now you got me about as confused as I ever hope to be.

Directed by Brian G. Hutton and adapted to the screen from his own novel by Alistair MacLean, Where Eagles Dare stars Richard Burton and Clint Eastwood. Music is scored by Ron Goodwin and cinematography is by Arthur Ibbetson.

A small group of allied agents are sent on a mission to rescue a Allied General from a Nazi castle stronghold. But there is more than what meets the eye here...

Boys own men on a mission in grandiose strokes, MacLean's complex story makes for riveting and exciting entertainment. The story twists and turns like a Python on acid, thus requiring full attention to conversational details is very much advised. And yet joyously it's the fun and kinetic action that holds the most attention, especially for what is quite an explosive and thrilling last third of picture. There are stunts galore amongst the Austrian Alps (beautifully photographed by Ibbetson), and as the espionage hokum reaches its crescendo status, so does the kinetic carnage, with the makers wasting no opportunity to blow everything up.

Burton is classy and enjoying himself, Eastwood laconic and cool, while good support comes from Mary Ure (great to have a well written spunky female lead), Patrick Wymark, Michael Hordern and Donald Houston. The running time is a touch too long as MacLean's prose is given weighty treatment for extended chatter, and some back projection work feels unnecessarily cheap for such a grand production, but this is good old machismo fuelled classic cinema regardless. 9/10

Where Eagles Dare

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