Jantje Friese

Baran bo Odar

Emily Beecham

Andreas Pietschmann

Aneurin Barnard

Isabella Wei

Maciej Musiał

Yann Gaël

Miguel Bernardeau

Clara Rosager

Rosalie Craig

Lucas Lynggaard Tønnesen

Mathilde Ollivier

José Pimentão

Tino Mewes

Gabby Wong

Jonas Bloquet

Maria Erwolter

Fflyn Edwards

Alexandre Willaume

Anton Lesser

Isaak Dentler

Benedikt Bothe

Philipp Klausing

Pat Tookey-Dickson

Ben Frost

Lucy Bevan

Emily Brockmann

Nikolaus Summerer

Udo Kramer

Alexander Würtz

Ansgar Frerich

Bina Daigeler

Christina Wagner

Christian Kaestner

Marlene Nehls

Dominik Trimborn

Michael Honisch

George Belfield

Rickie-Lee Roberts

Nora E. Markwald

Marten Riese

Florian Holzner

Ascanius Böttger

Andreas Thor

Florence Förster

Martin Moch

Julius Herberg

Janosch Voss

Matthias Richter

Andreas Zuhr

Ingeborg Heinemann

Michael Fissneider

Georgina Foley

Hélène Irdor

Moritz Heinlin

Stuart Penn

Monty Eliot

Gaston Ibarroule

Mystery

Drama

The Key

1899

Netflix

Dark Ways

Germany

It's a good TV series. Things are a bit confusing at times and it's filmed a lot in low light.  
The character interactions are great. Beautiful sets. 
I would love to have seen Season 2 and 3

misubisu

You gotta stick it out to the end... as it is well worth it.
The worst thing, is that season 2 has been cancelled. This series could really have gone somewhere!
The production values are amazing and the the story is very intricately woven. Plus characters are totally believable... i.e.; brilliant acting.

Why is it the good shows get cancelled and the rubbish ones last for 10 seasons  :O(

The slow pace of the first episode picks up through the series leading to a tense last few episodes. There are clues and incongruencies in the earlier episodes that make sense later on although it doesn’t always feel that way. The further into it you get, the more genres are introduced as the protagonists edge closer to an explanation for what is happening to their ship and its passengers. There's more to this series than initially meets the eye. Give it at least to episode three before making a judgment.

**Pointless**

It's supposed to be a slow-burn, atmospheric mystery thriller.

It is slow, alright; and there is some mystery, albeit not intriguing. Set design, camera, lighting, and fx get the atmospheric bit done; sound and music are well selected, too. Costume is OK, acting good.

We're on water, and the (alchemist) earth symbol is everywhere. Well, that's a mystery indeed.

Where it starts to go wrong is the artificial slowness; characters which against all likelihood do not state at least the obvious, do not talk to each other where it would make sense. So we miss out on character drawing, character development, and sanity amidst the fog. For fog abounds here, metaphorically and visually. But that does not help the story.

Characters are outside the usual roster, but they are neither well written nor developing. Some complain about "woke propaganda"; well, there is some preachy elements and annoying bits, but not as bad as in certain other "originals". 

The multi-language thing however works very well, from my point of view.

The core issue is and remains the script: this is badly written.
The direction stretches the little content it finds over way too many hours. And all the mysteries turn out to be... bollocks. Distractions.

The 4/10 I give to acknowledge production crew and actors; other than that, it would be an 2/10. Don't waste your time on this, like I did.

Edit, PS: I checked and the core plot indeed matches a 1973 Doctor Who episode ("Carnival of Monsters"), but is stretched over eight episodes.

Good story, good acting, good directing but unfortunately as with all shows lately because of woke propaganda I can not and will not give it better score. Possibly one of the best shows in last years ruined by propaganda.
Why does every story, every tv show or movie today have to have this woke propaganda?

A slow boat to nowhere, that's the kindest thing I can think of to say about 1899.

A mystery thriller minus the thrills, that's becalmed from the get go and doesn't improve over the poorly navigated, first two episodes. 

Its a shame too, as a ton of Euro's were spent on this production. Its therefore unsurprising, that in terms of settings, costumes and atmosphere, this show is spectacular. Unfortunately, its an exquisite banquette setting, where little to nothing is served to the hungry viewer.  

Instead, what you are offered, is supposedly meaningful silences, at times clever but disjointed narrative and yet again, regrettably, more woke revisionism. 

In summary, well acted, beautifully presented but in terms of storytelling, as deep, dark and desolate, as an ocean trench.

1899

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